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Cover thumbnail for Taos Moderns Taos Moderns

In the 1940s, Taos, New Mexico, became an important crossroads in contemporary American art, a place where the influences of European and American modernism merged together. Artists came from all across the U.S., attracted to New Mexico by the space, the brilliant light, and the diverse cultures of indigenous Pueblo and Hispanic peoples. The influx of dozens of artists by the 1950s established Taos as one of the centers of modernist art. Although they never created a formal group, a number of these artists exhibited together in art galleries and museums and were collectively known as the Taos Moderns.

Stylistically, Taos Modern works are either abstract or non-objective compositions of pure form. Rather than depicting the surface beauty of the landscape or figurative portraits, they seek to capture the underlying structure of a subject to reveal its pure meaning.

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Showing 25 to 36 of 36 Records


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Reclining Nude

Tom Benrimo (aka Thomas Duncan Benrimo)
n.d.
Oil on Masonite

Rock Series #1

Louise Marie Ganthiers
1982
Oil on canvas

Arches #5

Adeïne de la Noë
n.d.
Oil on panel

Untitled (Rock)

Louis Leon Ribak
early 1970s
Watercolor and wash on board

Arroyo

Adeïne de la Noë
n.d.
Oil on canvas

Chilkoot Pass #1

Adeïne de la Noë
n.d.
Oil on untempered Masonite

Untitled

Agnes Bernice Martin
1997
Lithograph on Vellum

King Lear and Dondrao

Tom Benrimo (aka Thomas Duncan Benrimo)
n.d.
Oil on cardboard panel

Male Torso

Earl Stroh
1975
Silverpoint on paper

Latin Cross Wall Hanging

Adeïne de la Noë
n.d.
Wood, painted

Tres Cruces (Three Crosses)

Adeïne de la Noë
n.d.
Paper and seeds

Two Violet Nudes

Wesley A. Rusnell
1972
Oil on linen canvas


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