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Cover thumbnail for Taos Moderns Taos Moderns

In the 1940s, Taos, New Mexico, became an important crossroads in contemporary American art, a place where the influences of European and American modernism merged together. Artists came from all across the U.S., attracted to New Mexico by the space, the brilliant light, and the diverse cultures of indigenous Pueblo and Hispanic peoples. The influx of dozens of artists by the 1950s established Taos as one of the centers of modernist art. Although they never created a formal group, a number of these artists exhibited together in art galleries and museums and were collectively known as the Taos Moderns.

Stylistically, Taos Modern works are either abstract or non-objective compositions of pure form. Rather than depicting the surface beauty of the landscape or figurative portraits, they seek to capture the underlying structure of a subject to reveal its pure meaning.

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Showing 13 to 24 of 36 Records


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Eve

Tom Benrimo (aka Thomas Duncan Benrimo)
n.d.
Ink on paper

The Ridge

Louise Marie Ganthiers
1982
Oil on canvas

Homage to Virgil

Earl Stroh
1984
Oil on canvas

Harbor

Tom Benrimo (aka Thomas Duncan Benrimo)
n.d.
Pastel on paper

Fiesta, Ranchos de Taos

Tom Benrimo (aka Thomas Duncan Benrimo)
1942
Graphite with varnish on paper

Imaginary Landscape

Tom Benrimo (aka Thomas Duncan Benrimo)
n.d.
Ink on paper

Landscape

Andrew Dasburg
1975
Lithograph on paper

Ranchos Valley

Andrew Dasburg
1965
Ink on paper

Forms, 1955

Tom Benrimo (aka Thomas Duncan Benrimo)
1955
Ink and graphite on paper

Cityscape

Tom Benrimo (aka Thomas Duncan Benrimo)
n.d.
Charcoal, ink on paper

Road and Houses

Andrew Dasburg
1960
Ink on paper

Harbor and Mountain

Tom Benrimo (aka Thomas Duncan Benrimo)
n.d.
Ink on wove paper


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