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Cover thumbnail for Taos Moderns Taos Moderns

In the 1940s, Taos, New Mexico, became an important crossroads in contemporary American art, a place where the influences of European and American modernism merged together. Artists came from all across the U.S., attracted to New Mexico by the space, the brilliant light, and the diverse cultures of indigenous Pueblo and Hispanic peoples. The influx of dozens of artists by the 1950s established Taos as one of the centers of modernist art. Although they never created a formal group, a number of these artists exhibited together in art galleries and museums and were collectively known as the Taos Moderns. Stylistically, Taos Modern works are either abstract or non-objective compositions of pure form. Rather than depicting the surface beauty of the landscape or figurative portraits, they seek to capture the underlying structure of a subject to reveal its pure meaning.

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Title Artist Medium & Support Creation Date
Untitled (Male Studies)   Stroh, Earl   Graphite on paper  1977 
3 Male Nudes   Stroh, Earl   Pastel on blue paper  1977 
Homage to Virgil   Stroh, Earl   Oil on canvas  1984 
Male Torso   Stroh, Earl   Silverpoint on paper  1975 

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