This selection includes works from China, Japan, India, Myanmar (formerly Burma), and Korea. The OJAC's holdings of ancient tomb figures and modern decorative ceramics make up two of the four core collections around which the museum was formed in 1980.
Showing 1 to 25 of 78 Records |
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Title | Artist | Medium & Support | Creation Date |
Large plate with a tributary scene | Chinese | Porcelain with overglaze enamels | early 20th century |
Large plate with tributary scene | Chinese | Porcelain with overglaze enamels | early 20th century |
Charger with “Three Friends of Winter” motif | Japanese, late Meiji period | Porcelain with underglaze cobalt blue | 1868-1911 |
Charger with “Three Friends of Winter” motif | Japanese, late Meiji period | Porcelain with underglaze cobalt blue | 1868-1911 |
Charger with landscape scenes | Japanese, late Meiji period | Porcelain with underglaze cobalt blue | 1868-1911 |
Charger with “Three Friends of Winter” motif | Japanese, late Meiji period | Porcelain with underglaze cobalt blue | 1868-1911 |
Trumpet vase with Confucian theme | Chinese, Qing dynasty | Porcelain with underglaze cobalt blue | mid 19th century |
Trumpet vase with Confucian theme | Chinese, Qing dynasty | Porcelain with underglaze cobalt blue | mid 19th century |
Jubako (4-tiered food container) | Japanese, late Meiji period | Porcelain with underglaze cobalt blue | early 20th century |
Teapot | Chinese, Qing dynasty | Porcelain with overglaze enamels | late 19th or early 20th century |
“Rose Mandarin” Punch Bowl | Chinese, Qing dynasty | Porcelain with overglaze enamels and gilding | 19th century |
Buddhist Pali manuscript | Burmese artist | Ink on paper; gilt and lacquered wood with stone and glass inlay | 19th century |
Chinese Horse and Rider | Chinese, Northern Wei dynasty | Granite | early 20th century |
Head of bodhisattva | Chinese, Northern Wei dynasty | Limestone | c. 5th-6th century |
Pine Tree | attributed to Chinese (in the style of Bada Shanren) | Ink on paper | early 20th century |
Kabuki actor in the role of Ashikaga Yorikane | Kunisada I (Toyokuni III), Utagawa | Oban; multicolored woodblock print on paper | c. 1859 |
Standing female attendant | Chinese, Western Han dynasty | Earthenware with painted polychrome decoration | 206 BCE - 220 CE |
Standing ox | Chinese, Tang dynasty | Earthenware with painted polychrome decoration | 618-907 CE |
Female equestrian musician (1 of 2) | Chinese, Tang dynasty | Earthenware with painted polychrome decoration | 618-907 CE |
Seated Hound | Chinese, Eastern Han dynasty | Earthenware with painted polychrome decoration | 25-220 |
Kneeling female dancer (1 of 2) | Chinese, early Tang dynasty | Earthenware with painted polychrome decoration | 618-907 CE |
Recumbent horse | Chinese, Tang dynasty | Earthenware with painted polychrome decoration | 618-907 CE |
Female equestrian musician (2 of 2) | Chinese, Tang dynasty | Earthenware with painted polychrome decoration | 618-907 CE |
Kneeling female dancer (2 of 2) | Chinese, early Tang dynasty | Earthenware with painted polychrome decoration | 618-907 CE |
Standing female dancer | Chinese, Tang dynasty | Earthenware with painted polychrome decoration | 618-907 CE |
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