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Cover thumbnail for Taos Moderns Taos Moderns

In the 1940s, Taos, New Mexico, became an important crossroads in contemporary American art, a place where the influences of European and American modernism merged together. Artists came from all across the U.S., attracted to New Mexico by the space, the brilliant light, and the diverse cultures of indigenous Pueblo and Hispanic peoples. The influx of dozens of artists by the 1950s established Taos as one of the centers of modernist art. Although they never created a formal group, a number of these artists exhibited together in art galleries and museums and were collectively known as the Taos Moderns. Stylistically, Taos Modern works are either abstract or non-objective compositions of pure form. Rather than depicting the surface beauty of the landscape or figurative portraits, they seek to capture the underlying structure of a subject to reveal its pure meaning.

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Title Artist Medium & Support Creation Date
Rock Series #1   Ganthiers, Louise Marie   Oil on canvas  1982 
Arches #5   Noë, Adeïne de la   Oil on panel  n.d. 
Untitled (Rock)   Ribak, Louis Leon   Watercolor and wash on board  early 1970s 
Arroyo   Noë, Adeïne de la   Oil on canvas  n.d. 
Chilkoot Pass #1   Noë, Adeïne de la   Oil on untempered Masonite  n.d. 
Untitled   Martin, Agnes Bernice   Lithograph on Vellum  1997 
King Lear and Dondrao   Benrimo, Tom   Oil on cardboard panel  n.d. 
Male Torso   Stroh, Earl   Silverpoint on paper  1975 
Latin Cross Wall Hanging   Noë, Adeïne de la   Wood, painted  n.d. 
Tres Cruces (Three Crosses)   Noë, Adeïne de la   Paper and seeds  n.d. 
Two Violet Nudes   Rusnell, Wesley A.   Oil on linen canvas  1972 

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