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Guido Reni
Italian, (1575–1642)
Guido Reni was a widely-acclaimed painter and draughtsman in seventeenth-century Italy, renowned for his elegant interpretations of religious and mythological scenes. His style, which fused elements of classical idealism with close observation of the natural world, was perpetuated through the activity of an exceptionally large and productive studio and emulated by many artists across Europe. Born in Bologna in 1575, Reni began training in his hometown with the Flemish master Denys Calvaert in about 1584. He transferred to the artists’ academy established by the brothers Agostino and Annibale Carracci and their cousin Ludovico Carracci, then the foremost exponents of the classicizing naturalism of the Bolognese style, about ten years later. Reni trained alongside other notable artists, including Domenichino and Francesco Albani, before becoming an independent master in 1598. He moved to Rome in the early 1600s to work on the ceiling frescoes for the Casino dell’Aurora in the Palazzo Farnese, and also undertook a number of important independent commissions, including an altarpiece for San Paolo alle Tre Fontane and decoration of Pope Paul V’s Annunciation Chapel in the Palazzo Quirinale. Around 1614, Reni returned to Bologna, replacing the deceased Annibale Carracci as the figurehead of the Bolognese school. Reni is best known for large-scale altarpieces, mythological scenes, and single-figure devotional and secular subjects. His early work displays the distinctive traits of his structured academic training, a balance of classicism and more realistic representations and his figures, imbued with monumentality and grace, convey a strong sense of human emotion. Through the 1620s, Reni developed a distinctive bright palette and refined brushwork, especially in his depiction of draped clothing, for which he was renowned. By the mid-1630s, his style had evolved and his last works are characterized by a muted, limited palette, a loose summary handling of paint and simplified compositions. His success led to one of the most active workshops in Europe, which housed up to eighty students at one time, who were trained to reproduce compositions in order to meet increasing demand amongst European collectors. Reni was also known for his eccentric personality—he reportedly feared witchcraft and women—and he gambled excessively. He died at the age of sixty-seven following a short illness.
Source: J. Paul Getty Museum
Note: Bartolomeo Coriolano worked almost exclusively with Guido Reni, translating the artist’s paintings into prints. Eighteen of Coriolano’s known 21 prints are after designs by the renowned Baroque painter.
Italian, (1575–1642)
Guido Reni was a widely-acclaimed painter and draughtsman in seventeenth-century Italy, renowned for his elegant interpretations of religious and mythological scenes. His style, which fused elements of classical idealism with close observation of the natural world, was perpetuated through the activity of an exceptionally large and productive studio and emulated by many artists across Europe. Born in Bologna in 1575, Reni began training in his hometown with the Flemish master Denys Calvaert in about 1584. He transferred to the artists’ academy established by the brothers Agostino and Annibale Carracci and their cousin Ludovico Carracci, then the foremost exponents of the classicizing naturalism of the Bolognese style, about ten years later. Reni trained alongside other notable artists, including Domenichino and Francesco Albani, before becoming an independent master in 1598. He moved to Rome in the early 1600s to work on the ceiling frescoes for the Casino dell’Aurora in the Palazzo Farnese, and also undertook a number of important independent commissions, including an altarpiece for San Paolo alle Tre Fontane and decoration of Pope Paul V’s Annunciation Chapel in the Palazzo Quirinale. Around 1614, Reni returned to Bologna, replacing the deceased Annibale Carracci as the figurehead of the Bolognese school. Reni is best known for large-scale altarpieces, mythological scenes, and single-figure devotional and secular subjects. His early work displays the distinctive traits of his structured academic training, a balance of classicism and more realistic representations and his figures, imbued with monumentality and grace, convey a strong sense of human emotion. Through the 1620s, Reni developed a distinctive bright palette and refined brushwork, especially in his depiction of draped clothing, for which he was renowned. By the mid-1630s, his style had evolved and his last works are characterized by a muted, limited palette, a loose summary handling of paint and simplified compositions. His success led to one of the most active workshops in Europe, which housed up to eighty students at one time, who were trained to reproduce compositions in order to meet increasing demand amongst European collectors. Reni was also known for his eccentric personality—he reportedly feared witchcraft and women—and he gambled excessively. He died at the age of sixty-seven following a short illness.
Source: J. Paul Getty Museum
Note: Bartolomeo Coriolano worked almost exclusively with Guido Reni, translating the artist’s paintings into prints. Eighteen of Coriolano’s known 21 prints are after designs by the renowned Baroque painter.
Artist Objects
Saint Jerome 1981.155